I lit Underdrome at the Roundhouse for the artist and choreographer Darren Johnston.
It was a classic cross-artform show (in that they always seem to be bigger than the budgets allocated, because they don’t fit into a ‘usual’ set of criteria for budgeting) and thus it was hugely challenging across the production week. One thing I am aware of is that every technical department was pushing the technology to the max.
Underdrome will always have a fond place in my heart. I think the Roundhouse is one of the most dynamic spaces we have in the UK and I love the theatricality of using it in 360 degree format, as we did.
‘atmospheric cobalt-blue lighting’
The Telegraph
‘a beautiful vision for this iconic space’
The Guardian